DINA in A fine Balance [Rohinty Mistry]. One of the greatest
creations in fiction, Dana is the young, beautiful wife of a musician. All she
wants is to marry, have children and live in harmony with the world without the
stricture of her suffocating, misogynistic family who believe a woman’s place
is in the home, breeding and skivvying. But it isn’t to be. Put upon, patient,
resilient beyond our imaginings, Dina threads her way through forty years of
hell and comes out the other side like the angel we all hope to meet someday.
PAMELA in Drop City [T C Boyle]. Hard to explain Pamela
without giving away an essential plot element but she meets her soul-mate, Sess
Harker after an auction for a new wife, and she is just perfect. Never read a
plot-line like that before or since and God, is it brilliant or what? Fabulous
character.
DANA HALTER in Talk Talk [T C Boyle]. Talk Talk is a novel
about identity theft, set in the USA. Dana is a deaf English teacher who is
robbed of her identity, credit cards and so on by a career thief and sets out
to find him and punish him. She is a wonderful, dogged character who is already
handicapped but never lets that handicap get in the way and never ever feels
sorry for herself or wishes that she could meet him on equal terms.
MERCADO in 50 Grand [Adrian McKinty]. I am a big McKinty fan
but he doesn’t as a rule write women well. Here however in this long black tale
he creates a young Cuban police detective hunting a killer in Colorado and you
are with her every step of the way. She is exactly as you would imagine her to
be; razor-sharp but out of her depth in modern America.
GEORGIANA JUTLAND in Dirt Music [Tim Winton]. I liked this
novel, it was runner-up in the Booker the year [2002] it was published but the
ending kind of lets it down. You should always know your last line, Tim before
putting pen to paper. Georgie is a convincing character, an older woman with
attitude who, possibly, takes things too far. Can’t say I liked her much and I
felt a lot of the time that she was based upon a real person disguised for the
sake of the book. But interesting.
LISBETH SALANDAR in The Girl with the Dragon Tattoo [Stieg
Larsson]. An anorexic who can fix computer problems, I guess Lisbeth fulfils
all the criteria for the tough-but-fragile abused survivor heroine of the Girl
trilogy. But I don’t like it, or her. I read somewhere that she was based upon
an actual person, Larsson’s niece, an anorexic who was able to hack computers
but it is prurient; sexual degradation smuggled into the story-line under the
guise of strong disapproval.
However, I am in a minority on this.
DAENERYS TARGARYEN in A Song of Ice and Fire [George RR
Martin]. Very popular heroine, Daenerys but not for me. I don’t watch Game of
Thrones, another gratuitous television show smuggling in sex and violence under
the guise of what? Under the guise of reality, ‘this is how it was/must have
been’. Ivanhoe with all the blood and guts and cruelty left in. Yeah, yeah,
great production values and script and maybe when I was a lot younger I would
have read it and enjoyed it but I no longer regard this kind of thing as
escapism. It feels like dumbing down, to be honest. Derivative dumbing down and
as someone else observed recently, it has diminishing returns; it feels toward
the end like an elaborate exercise in plate-spinning because the plot has
nowhere to go. Except the next instalment.
EILIS LACEY in Brooklyn [Colm Toibin]. I like Colm Toibin,
the earlier books anyway; the one set in Uruguay is excellent. Can’t remember
what it was called, off the top of my head. Some people cant stand his literary
style and some people just don’t like Irish fiction but he writes very well, I
think. Having said which, I found Brooklyn contrived and the sense of research
hung over it rather than experience. Sorry. But she’s definitely a Great
Fictional Woman written by a man , albeit rather a passive one, and so has
found her way into this list.
LUCY [Luc Goddard]. Yes I am cheating but it fulfils the
requirements of the brief; a fabulous heroine, written by a man. Carrie
Matheson is a fabulous heroine written by a committee, otherwise she would have
made the lists. Tess [of the d’Ubervilles] by Thomas Hardy could have made it
but [a] she dies and, [b] the book is like wading through treacle. Lara dies. Anna Karenina again was written by a man but
again, she dies. Not allowed. I will never kill off Kikarin.