This is a lovely poem that I came across recently: a wedding
gift in verse.
Jasper
For John Jones the potter
Waxwork of a crag, a model of sea rock
In gleaming maroon –
Hear the waves break on it, see the fish fly
Under the moon!
A piece of witch-stone, jasper,
Red chalcedony
With a tidewash of grey quartz still ebbing
Back like the sea.
I was given it, it has lain in my hearth
Nearly a year
To give peace by arbitrary charm
To fingerers here.
Each hand that stroked it, gave to and took
Power out of it:
Love warmed it with whitsun, it knew
Fire-tonguing wit.
It felt stillness in half-light, it learned
Like a wild foal
To stand calm in a crowdful of noise
In its deep quartz soul.
It is Welsh rock, John. A vein of it runs
In the nape
Of the hanging coast where the oaktrees
Knot the Straits into shape.
Earth, water and fire! and a girl’s hand that gave it
Dearer to me
Than gold! – I send you this shard from the wheel
Of the Welsh sea.
Your potter’s eyes found glazes in red grit –
You made them yours,
The piebald debris of metallic earths,
Ragbag of ores.
We finger a pebble for luck, or chance
Magic try –
But your fingers have lived with luck so long
They must have it, or die.
And your hands chance no amateur magic:
The wheel must turn,
The wet grey clay must rise like a genie
To teapot or urn.
Yet now, because you have left Wales, and sold
Kiln and wheel
And because your cottage sinks down to its knees
In an overgrown field,
And the racks in your front room shop
No longer fill
Quietly, quietly with the cups and jugs
Of your fingers’ skill
And because now, though the potter’s gone
And the clay dries dead,
We are glad that the love of a bride
Has graced your bed –
That ancient, amateur magic of hands,
A love and a luck
Richer than even from clay
Ever was struck –
Because of all this, on your wedding day
I send
All the power in a stone I can
To make and mend:
A piece of witch-stone, jasper,
Red chalcedony
With a tidewash of grey quartz still ebbing
Back to the sea.
Line after line of crafted poetry; sinks down to its knees;
ragbag of ores; a wild foal, standing calm; its fingerers . . . the whole thing is almost
tactile. Like its subject. Fabulous. It’s by a guy called Tony Conran of whom I
know nowt.
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